Monday, January 25, 2010

Aura Blog

Aura by Carlos Fuentes brings in the concept of Magical realism by using several binaries such as past and present, light and dark, youth and old age, and the reader and the protagonist. The book first starts with the word “You’re” (Pg. 3), using a second person narrative to merge the reader and protagonist together. This use of binary allows the reader to imagine he/she is actually part of the story, as if he/she is actually Felipe. By merging these ideas of real and imaginary life Fuentes book is encompassed around the idea of Magical Realism.
Senor Felipe Montero is hired by the elderly woman, Senora Consuelo, to organize her deceased husband’s memoirs. Senora Consuelo lives in the house with her niece, Aura, who is a young and beautiful girl. Felipe is immediately taken by her presence. As Felipe stands in Senora Consuelo’s room for the first time she reaches out as if she were trying to touch someone (Pg. 25). She is trying to reach for a hand and as Felipe looks up he sees beautiful women. Senora says, "I told you she'd come back...Aura. My companion. My niece." This is the first time you see how Aura and Senora are a whole but two separate people at the same time. There is a binary between youth and old age relating specifically throughout the book to Aura and Senora Consuelo.
The house itself represents the idea of Magical Realism by showing the binary between light and dark. Felipe is used to seeing the world through light, as most of us are but the only room in the house that is lighted is his own room. As he walks through the hallways, they are always dark. As he says on page 35, "This house will always be in darkness, and you've got to learn it and relearn it by touch." This quote shows the idea of Magical Realism because he is viewing the house in a different perspective than he normally would.
The house being dark also symbolizes death and that is how Senora has been living her life. She lives in exile, just like her husband until they can rejoin each other in the bright lights in heaven. A part of her will always be missing until she is reconnected with her husband. On page 49 Senora Consuelo is praying in front of her wall of religious objects. She is so weak and skinny. As she prays she says, "Come, City of God!" Gabriel, sound your trumpet! Ah, how long the world takes to die!" It seems almost as if Senora is stuck between these two worlds. The day her husband died, it is like her soul was taken with him, but her body remains on this earth. She knows it is almost time for her body to rejoin her soul, so she can be as one. Since Aura and Senora depend on each other so much, it is as if Aura is actually the temporary soul of Senora's. As the novel progresses it becomes apparent that she may have other plans to rejoining her soul and her body.
On Page 87 Felipe says, "Always dressed in green. Always beautiful, even after a hundred years." This quote describes Senora Consuela. On Page 103 when Felipe goes to meet Aura he says, "Aura is dressed in green, in a green taffeta robe from which, as she approaches, her moon pale thighs reveal themselves." Once again the novel shows the binary between Senora Consuelo and Aura and between youth and old age. During Aura and Felipe’s intimate time he says, "Then you fall on Aura's naked body, you fall on her naked arms, which are stretched out from one side of the bed to the other like the arms of the crucifix hanging on the wall, the black Christ with that scarlet silk wrapped around his things...Aura opens up like an altar." This symbolizes Aura's and Senora Consuela's souls finally opening up, and Senora has finally gotten out of the exile she has been in since the death of her husband. Aura rises from the bed, only to show that Senora Consuela has been sitting in the dark corner the entire time. They both make the same movements at the same time, smiling, thanking Felipe, and leaving the room at the same time. This truly shows that Aura and Senora Consuela are connected.
Felipe looks through old photographs of Senora Consuelo's and on the third photograph there is picture of Aura and an old gentleman (the General). After looking at the General he covers up the beard, only to find himself in the picture. On Page 123 Aura says, "You have to die before you can be reborn...No, you don't understand, forget about it, Felipe. Just have faith in me." This quote doesn't make completely sense until the ending of the novel when Felipe gets into Senora Consuelo's bed with Aura. He begins to lie down next to her and once again she is wearing her green robe. As he kisses Aura, he suddenly notices in the moonlight that it is not Aura, it is Senora Consuelo. On Page 145 it says, "You love her, you too have come back..." symbolizing that General Llorente has come back to be with Senora Consuelo. It now becomes apparent that Felipe is now the General, married to Senora Consuelo. They will bring Aura back into the world as their baby, just as the quote explained that Aura had to die to be reborn. Aura is the representation of youth and life.

3 comments:

  1. (Addition) At the beginning of the novel Felipe first finds an advertisement by Senora Consuelo for the job position. When Felipe begins to look at the right address for the job offering, Fuentes brings in the binary of new and old. He begins to walk down the street and looks at all of the mansions, and how all of them had been switched into other stores. He reaches Senora’s house and he realizes it sits on the second story of a building. It sits above “the cheap merchandise on sale along the street that doesn’t have any effect on the upper level.” (Pg.9) This is when the binary between new and old is officially presented because Felipe realizes there is something special about the house because it is new and completely different from the rest of the houses on the street.

    (Replace previous light/ dark paragraph 3) The house itself represents the idea of Magical Realism by showing the binary between light and dark. Felipe is used to seeing the world through light, as most of us are but the only room in the house that is lighted is his own room. Felipe is taken back when he first enters the house because he is so used to seeing everything in the light but now he is only surrounded by darkness. Since he is unable to see he has to depend on his other senses to help him get through the house. As he walks through the hallways, they are always dark. As he says on page 35, "This house will always be in darkness, and you've got to learn it and relearn it by touch." Fuentes uses the idea of Magical Realism because Felipe is viewing the house in a different perspective than he normally would.

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  2. (Replace with paragraph 2)Throughout the book there is a binary between youth and old age relating to Aura and Senora Consuelo. Senora Consuelo lives in the house with her niece, Aura, who is a young and beautiful girl and Felipe is immediately taken by her presence. As Felipe stands in Senora Consuelo’s room for the first time she reaches out as if she were trying to touch someone. She is trying to reach for a hand and as Felipe looks up he sees beautiful women. Senora says, "I told you she'd come back...Aura. My companion. My niece." (Pg. 25) Aura is her companion because they are one in the same person. When Senora says “I told you she’d come back,” it was as if she was talking to the General saying that her youth had came back. Maybe she is hinting at the fact, this situation has happened before, and perhaps Aura will always be there to give her youth back and reform the bond between the General and Senora. This is the first time you see how Aura and Senora are a whole but two separate people at the same time. On Page 87 Felipe says, "Always dressed in green. Always beautiful, even after a hundred years." This quote describes Senora Consuela. On Page 103 when Felipe goes to meet Aura he says, "Aura is dressed in green, in a green taffeta robe from which, as she approaches, her moon pale thighs reveal themselves." The color green is used twice to represent Senora Consuela and Aura as one. Once again the novel shows the binary between Senora Consuelo and Aura and between youth and old age.
    (Addition) Aura relates to Mexican history in several ways throughout the novel. When Felipe is looking through all of the pictures there is a pattern of organization which puts all of the French pictures before the Spanish pictures. General Llorente is viewed as a conservative, upperclassmen, and a monarchist (Pg. 57). Llorente valued France much more than he valued his origin country of Spain. All of the shape shifting that happens between Senora Consuela and Aura and Felipe and General Llorente is a metaphor to Mexican identity. Felipe gives up his Mexican identity to be Llorente, and Llorente gave his Mexican identity to be French. For centuries now Mexico has been confused about its identity. At one point Mexico was run by Maximilian, who was from Austria. This time period was confusing for Mexican identity because they were being ruled by a foreigner. The shape shifting of the people in the book represents the shape shifting of Mexico. “Aura” shows the concept that history repeats itself. As Aura dies, she is reborn, just like Mexico, always dying and then being reborn, only getting lost in the mix and never truly finding its identity.

    ReplyDelete
  3. (Replace Paragraph 5) During Aura and Felipe’s intimate time Fuentes says, "Then you fall on Aura's naked body, you fall on her naked arms, which are stretched out from one side of the bed to the other like the arms of the crucifix hanging on the wall, the black Christ with that scarlet silk wrapped around his things...Aura opens up like an altar." Fuentes description is very similar to that of Jesus Christ our savior, so perhaps Fuentes is calling Aura “The Savior” too because she is here to reunite the long lost love of Senora Consuela and the General. When Aura rises from the bed it shows Senora Consuela had been sitting in the dark corner the entire time. They both make the same movements at the same time, smiling, thanking Felipe, and leaving the room at the same time. This truly shows that Aura and Senora Consuela are connected.
    (Addition) Aura by Carlos Fuentes brings in the concept of Magical realism by using several binaries such as past and present, light and dark, youth and old age, and the reader and the protagonist. The book first starts with the word “You’re” (Pg. 3), using a second person narrative to merge the reader and protagonist together. This use of binary allows the reader to imagine he/she is actually part of the story, as if he/she is actually Felipe. By merging these ideas of real and imaginary life Fuentes book is encompassed around the idea of Magical Realism.

    ReplyDelete